![]() ![]() Not only did it aid spawning the now common inclusion of synthwave and retro-EDM tracks in indie productions, it also achieved a rare integration of music and play mostly reserved to ‘music games’. Hotline Miami (2012) is an utterly violent game enamored with the question of agency as well as gaming’s long-standing depictions of different kinds of aggression, and it has one of the most powerful soundtracks in the medium’s recent history.
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